Venus Genetrix, 19th-century plaster cast

The work is distinguished by its craftsmanship, notably the use of Panneggio Bagnato, or “wet draping.” This technique, attributed to the great Phidias, consists of sculpting the garment as if it had been soaked in water. Venus’s delicate tunic then becomes a second skin: it flows over the body, embracing every curve and revealing its anatomical form with a sensuality of rare elegance. The garment no longer conceals, but magnifies, creating a play of light and shadow between the prominent folds and the softness of the suggested flesh.

 

Satsuma Faience Planter, Napoleon III Period

This Satsuma faience bowl, originating from the island of Kyushu in Japan, is distinguished by its ivory glaze and its exquisitely detailed iconography. The polychrome decoration, richly enhanced with gold, depicts birds among flowers.

Majolica Ewer in the Palissy Ware Style

A similar piece is featured as a major reference in Marshall P. Katz’s book, “Portuguese Palissy Ware: A Survey of Ceramics from Caldas da Rainha 1853-1920,” on pages 44 and 57.

Portugal

Circa 1880

Letter Holder, Bronze Animal Figure with a Mechanism by Alphonse Giroux

The bronze depicts a greyhound in a dynamic pose with its front paw raised. It rests on a naturalistic base adorned with flowers. The object features a spring-loaded hinge that allows it to hold letters or a short note. A rare and refined piece bearing the signature of one of the greatest Parisian bronze casters of the 19th century.

Napoleon III

Large earthenware fish dish, Manufacture Antonibon

This large, fully sculpted earthenware fish tureen is a remarkable collector’s item produced by the Antonibon factory in Nove, Italy, between 1722 and 1825. The piece features a realistically sculpted body, with a lid adorned with a delicate handle in the shape of a lemon and its foliage. The ensemble rests on an oval dish with a scalloped, gilded rim featuring a naturalistic decoration of bouquets of wild flowers.

A model identical to this piece is listed in the collections of the Ariana Museum in Geneva under inventory number AR 02940

Italy, XIX century