Painting under glass is a difficult artistic technique that is executed directly on a sheet of glass. The glass supports the paint like a canvas. Thus the glass serves both as a support and as a protective varnish. It is a “cold” painting technique so the process does not require baking. The pigment is bound to the glass by an oily vehicle most often based on varnish.
Painting under glass is a difficult artistic technique that is executed directly on a sheet of glass. The glass supports the paint like a canvas. Thus the glass serves both as a support and as a protective varnish. It is a “cold” painting technique so the process does not require baking.
Paradise containing Virgin with Christ, Saint Sebastien, Marie Madeleine in the cave and Saint Jacques.
“Saint Michael slaying the demon”, Italy at the beginning of the 18th century
The fight of the Archangel Saint Michael against the Demon is evoked in the Apocalypse of Saint John (12-7).
Oil on paper laid down on canvas representing a young Mademoiselle Murat,
Empire period
Painting under glass is a difficult artistic technique that is executed directly on a sheet of glass.
The glass supports the paint like a canvas. Thus the glass serves both as a support and as a protective varnish. It is a “cold” painting technique so the process does not require baking.
Would this represent his mood or his generous temperament?
This young woman wears a blue dress and a blue ribbon tied in her hair. In his right hand is an object whose handle is made of silver and mother-of-pearl.
Miniature on ivory
Velvet and brass frame
Late 18th Early 19th century
France
The Ouled Naïl tribe is a semi-nomadic tribe that is still located today in the mountain ranges of central Algeria. Around 1830 during the colonial era, the tribe fascinated artists. Many stories tell of the beauty of these women.
The portrait of a child became a popular genre in Europe in the 16th century, it was during the Age of Enlightenment that it developed in France. However, the petite models are still often subject to the codes of the official portrait, showing them in their most cultured aspect.
Moreover, the child is never alone if it is not the exceptional child who is a royal child or the Child Jesus.
The canvas represented is of high quality and extremely rare because children are represented with toys.
This canvas can bring us closer to the realities and their daily life in the 18th century
On the left side of the painting, signature 1775 and illegible signature
Oil on canvas
France 1775