Apollo, a garden sculpture in reconstituted stone. The graceful nude male figure of the young god leans gently against a tree trunk, with his right hand resting on his head. This sculpture is a variation of the Lycian Apollo, also known as the Apollo of Florence or the Apollino, a work by the celebrated Greek sculptor Praxiteles (4th century BC), now housed in the Uffizi Gallery in Florence.
The work is distinguished by its craftsmanship, notably the use of Panneggio Bagnato, or “wet draping.” This technique, attributed to the great Phidias, consists of sculpting the garment as if it had been soaked in water. Venus’s delicate tunic then becomes a second skin: it flows over the body, embracing every curve and revealing its anatomical form with a sensuality of rare elegance. The garment no longer conceals, but magnifies, creating a play of light and shadow between the prominent folds and the softness of the suggested flesh.
Founded in 1894 by John Hubley, the company became famous for its exceptionally high-quality cast iron toys and household items.
Circa 1910
Founded in 1894 by John Hubley, the company became famous for its exceptionally high-quality cast iron toys and household items.
Set of four elegant Medici vases
19th century
Pair of 17th-century theater drapes in carved polychrome wood, depicting an elegant knotted drape adorned with large golden tassels. The skillful carving of the pleated fabric and the richness of the original polychromy give these pieces a particularly theatrical character. Very beautiful preserved antique patina.
Large glazed earthenware rose flower, signed Delphin MASSIER, Vallauris (AM).
Circa 1900
Vallauris, France
Set of four polychrome woodcut silhouettes representing angels carrying the instruments of the Passion.
Late 18th century
Italy
“Allegory of fidelity in love”, terracotta sculpture representing Cupid playing with a dog.
Italy
18th century
Wooden armor holder, used to present both all pieces of armor: helmet, gambison, chain mail.
19th century