1970s garden furniture set comprising four armchairs and a footrest. This outdoor furniture is testament to the craftsmanship of the era, when wooden and woven rattan furniture was particularly popular in the south of France. The weaving work is truly remarkable, both in terms of its regularity and density.
18th-century cane-backed armchair, whose seat cushion has been reupholstered in the style of the 18th century and covered with a floral fabric featuring birds, illustrating the partnership between Tatiana de Nicolay and Maison Thevenon. This model features six curved legs decorated with flowers and double cane work.
Pair of dog-shaped lamps in polychrome porcelain and gilded bronze, in the Meissen style, with new green silk lampshades lined with green silk and Houlès trimmings.
750 yellow gold cross set with twelve garnets.
18th-century carved and silvered wooden mirror, decorated with intertwining foliage, leaves, and flowers. This mirror is quite exceptional due to its size and silver color.
18th-century six-light “lace” chandelier, composed of a turned and gilded wooden structure and a set of blown glass beads and pendants. This type and name literally refer to the structure of this chandelier, which consists of a “lacing” of iron wires onto which glass beads are threaded, creating a mesh that was highly prized for its diffusion of light.
Pair of 17th-century theater drapes in carved polychrome wood, depicting an elegant knotted drape adorned with large golden tassels. The skillful carving of the pleated fabric and the richness of the original polychromy give these pieces a particularly theatrical character. Very beautiful preserved antique patina.
Portrait of a distinguished young man, dressed in refined clothing and with a poetic gaze. Painted in soft tones ranging from brown to green, the painting depicts him in three-quarter profile, standing under a tree, looking towards the viewer. He stands out against a landscape that subtly reveals, in the distance, the castle he owns; undoubtedly a testament to his distinction and nobility. The whole is framed by a gilded wooden frame imitating porphyry.
18th-century Neapolitan dresser with two drawers, entirely decorated with floral motifs and shells. It is raised on four deer legs.
18th-century console decorated with “arte povera” elements representing garlands of flowers and vases filled with bouquets, on which rests a large green marble slab with attractive curves. The whole piece is supported by four deer legs decorated with gold leaf borders.