Equestrian Portrait of General Kléber

This portrait is firmly rooted in the equestrian portrait tradition, whose conventions date back to classical antiquity, notably with the famous statue of Marcus Aurelius on the Capitoline Hill. By choosing to depict Kléber on a rearing horse or at a measured pace, the painter reinterprets this allegory of the “war leader” capable of taming not only his mount but also human passions and the tumult of battle.

Belle duchesse”Birds” 19th century

Completely restored according to traditional methods, this chaise longue has been reupholstered in a fabric designed by Tatiana de Nicolay for the Tevenon company, adding a touch of timeless elegance to the piece.

France, 19th Century

Portrait of a Lady of Quality, Venetian School, 18th Century

The princess is shown in a silk dressing gown, an informal yet exquisitely refined indoor outfit that perfectly exemplifies the elegance of 18th-century French fashion.

Far from being careless, this sartorial choice underscores the sitter’s high rank through its studied simplicity. Her bodice is delicately adorned with a diamond brooch, while a pink veil rests upon powdered hair, in accordance with the aristocratic beauty standards of the time.

 

18th-Century Venetian Silk Bench

A true masterpiece of 18th-century Venetian art, this bench embodies all the theatricality and refinement of the palaces of the Serenissima. Its carved and gilded wooden frame, with its sinuous curves, reflects elegance in an exotic style typical of the Rococo taste.

 

“Three Women Conversing” by Victor Chavet (1822-1906)

Victor Joseph Chavet was a renowned French painter, a student of Pierre-Roch Vigneron and Tony Johannot. A recognized specialist in genre scenes and portraiture, he distinguished himself by his ability to paint with meticulous detail, often on small canvases, leading to comparisons with the Flemish masters for the precision of his brushwork.